Identify Your Vocal Range.

Early romanticism. Chromatic heroes of ancient Germany. I have a choral part, that's kind of nice. Most of the rest are Russians, they're badass like that. Most of the baroque as well as a few contemporary deities and heavenly beings. The arias which people would like to hear a third time whist they finish eating their potatoes. The good roles. The villains. Wagner.

Akhnaten, one third of the angel Gabriel, and some bad writer's perverted version of Apollo. Bloody hell. They still ignore me for a large part. They give the countertenors a good lot, I do not understand this negligence. I might have to destroy them. Dignified indifference. I am not threatened by die zukunft! I took over for the conductor once. His car was being towed away during the performance. It was Wednesday. It is there. Mixed, but generally negative. This broken-glass guy once told me to sing Gandhi in his opera. Ugh. It wasn't that bad, actually, it kind of worked for me. It's not atonal, you know, but the role was kind of heavy.

Apollo Cunegonde Felicia, betrothed to Armando Jean de Leyde Marina Mniszech, Tsarista consort of all Russia, Marina the witch Mephistopheles Siegfried Wotan

A delicate shade of pink A pale blue. Alizarin crimson black. gold Most of them. red Yellow

A Tale of Two Cities Candide Das Niebelungenlied Exodus Moliere's Faust Parzifal The Brothers Karamazov Tod in Venedig

Apparently, he finds me nationally threatening. That's kind of cute. He is there. I am fantastic with Verdi. I don't even like the uppermost fifth of my range that much. I like his early works. I was his Lady Macbeth once. Indifference. It is not until his requiem that he allows me to express my true strength.